Kunst.ee (Estonia): Feature on Gooseflesh Festival, Rakvere, Estonia (3/2001) ARCHIVE AND DOCUMENTATION The Sunday Times (UK): Feature by Allan Brown on ‘Harry and Me’ () The Scotsman (UK): Review by Jay Richardson of ‘Harry and Me’ () The Independent (UK): Review by Kate Bassett of ‘Harry and Me’ () The Guardian (UK): Review by Lyn Gardner of ‘Harry and Me’ () Metro (UK): Review by Tamsin Curry of ‘Harry and Me’ () Metro (UK) Interview, on ‘Colin Powell’ () The Irish Times (UK) Review by Peter Crawley () The Irish News (UK) Feature by Brian Campbell, ‘No More Mr. Zitty Magazine (Germany) Interview by Tom Mustroph on ‘Dispatches’ () Time Out (London, UK): Artful Lodgers, feature on Artsadmin Artists ()ĭayton City Paper (USA): Interview on ‘Colin Powell’ () Turun Sanomat (Turku, Finland): Preview/Review of ‘White Balance’ (06/11 & 16, 2013)Īrt Monthly (UK): Review by Morgan Quaintance ‘The Argument Against the Body’ (09/2011) REVIEWS AND INTERVIEWS WITH ROBIN DEACON (PRINT)Į + D Magazine (USA) Interview by Sammi Skolmoski on ‘White Balance’ () Open Dialogues: An Interview with Rachel Lois Clapham (02/2009)Ĭulture Wars: Feature on ‘Documenting Live’ by Rachel Lois Clapham (10/2008)Īrtists Newsletter: ‘Playing with Reenactment’, a review by Niki Russell (06/2008) SPILL: Interview with Lewis Church on ‘White Balance’ (11/2015)Īrtwrit: Interview with Anthony Romero (05/2012)į News Magazine: Review of ‘Too Beautiful to be Wasted’ (03/2012)īrooklyn Rail: Interview with Liz Axelrod (on Stuart Sherman) (02/2012)īellyflop: Review of ‘Stuart Sherman’s Hamlet by Robin Deacon’ ()Ĭulture Wars: Review by Matt Trueman of ‘Prototypes’ () REVIEWS AND INTERVIEWS WITH ROBIN DEACON (ONLINE)Įxeunt: Review of ‘Europe: Endless’ by Diana Damian Martin ()Įxeunt: Review of ‘White Balance’ by Nisha Ramaya () Malik-Okon, Rohini, Performing Difference Artsadmin (2004) Sofaer, Joshua, The Performance Pack Tate/Arts Council England (2004) Future Forecast: Social Space AN: Artists Newsletter (2005) Do Not Interrupt Your Activities Royal College of Art (2005) We Love You: On Audiences Revolver (2005) , Cardiff Art in Time Samizdat Press (2007) Wee, Cecilia 'On Documentation: An Interview with Robin Deacon' (2005)īannerman, Adelaide 'On Colin Powell and Dispatches: An Interview with Robin Deacon' (2005)įrank, Thomas / Waugh, Mark. Rebellato, Dan Contemporary Theatre Review: Vol 15, No 1 Routledge (2007) Roms, Heike, What’s Welsh for Performance? An Oral History of Performance Art in Wales, 1968 –2008 Samizdat Press (2008) Turner, Cathy & Behrndt, Dramaturgy and Performance Palgrave Macmillan (2007) Pacitti, Robert & Ghelani, Sheila, SPILL Festival of Performance: On Agency (2010) Glendinning, Hugo Artsadmin 30: A Snapshot of Artsadmin at 30 Artsadmin (2011) (2015)Ĭlark, Paul, ‘Performing the Archive: The Future of the Past’ in Performing Archives, Gunhild Borggreen & Rune Gade Museum Tusculanum Press (2013) Goldberg, RoseLee Performa 2013 Gregory R. Lim, Dennis, David Lynch: The Man from Another Place Amazon Publishing (2015) Margolies, Eleanor, Props Palgrave Macmillan: Readings in Theatre Practice Series (2016) Johnson, Dominic, Critical Live Art: Contemporary Performance Histories in the UK Routledge (2016) Whalley, Joanna & Miller, Lee, Between Us: Audiences, Affect and the Inbetween Palgrave Macmillan (2017) WRITINGS ON ROBIN DEACON (PRINT) The following are a series of references to the work of Robin Deacon in articles and publications written by academics, critics and artists: 'Robin Deacon: Filenote #15', Camden Arts Centre, (2006) 'Are They Really Norwegian?' in Performance Art By Baktruppen: First Part, Arntzen K, Eeg-Tverbakk, C Kontur (2009) Hawkins, Y and Matturri, J New York University Press (2011) 'Failing to Disappear' in Beginningless Thought/Endless Seeing: The Works of Stuart Sherman, Hagan, J. ‘White Balance: A History of Video’ in Australasian Drama Studies Journal 64: Digital Performance Futures, Acaroglu, G. ‘Central’ in A Festival of Imaginary Events for Rooftops in Tehran and London Field, A. ‘Rethinking Privacy: Contemporary Practices of Student Documentation and Distribution’ in Performance Research Journal Vol. Routledge (2017)īook Review on Jon Foley Sherman's ‘A Strange Proxmity: Stage Presence, Failure and the Ethics of Attention’ in Studies in Theatre and Performance Journal Routledge (2017) ‘Stuart Sherman’s Hamlet: A Careful Misreading’ in Artists in the Archive, Jones, S, Linsley, J and Clark, P. ‘Europe, Endless’ in To You, To You, To You, Alexander, L. ‘Documentation (Of A Near Death Experience)’ in Performance, Objects and Participation in the Art of Joshua Sofaer, Mock, R. The following are a series of chapters, articles and/or publications by Robin Deacon:
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