![]() When it’s done well, task management allows you to: We’re talking about setting deadlines, collaborating with team members, and creating project schedules that allow you and your team to be as productive as possible. It’s just a fancy way of planning how tasks are handled from the moment you put them into a schedule until they’re completed. Task management isn’t as complicated as it sounds. Task management is where every task is scheduled and managed using details and deadlines to deliver projects on time. Track tasks with Teamwork What Is Task Management? How to choose the right task management tool ![]() The advantages of using a task management tool Three different ways you can manage tasks Why you should start thinking about task management In this piece, we’re going to take a deep dive into: In fact, companies that use techniques like task management spend 28x less money than those who try to deliver projects without a real plan or strategy. Some people will stick to a to-do list, while companies may find it more useful to use task management tools to organize their calendars. The way we organize our working days comes down to strategy. After all, everybody has the same amount of hours in their day, but it’s how you organize those hours that determine how much you actually get done. This way of thinking is the crux of task management. They’ve done it by organizing every hour of every day-scheduling their time so they’re productive and reaching their goals. ![]() People like Bill Gates and Elon Musk haven’t been super successful in their lives by accident. Ever wonder how the most powerful people on earth actually get so much stuff done? □
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The limited-edition book documents Marcopoulos’ journey through Harlem, Dapper Dan’s home and the location of his eponymous atelier, which Gucci actually helped the designer reopen in December 2017.ĭapper Dan’s original claim to fame was his boutique in Harlem, which originally operated from 1982 to 1992, and was associated with introducing high fashion to the hip-hop community. Titled Dapper Dan’s Harlem, the book will officially launched on January 8 at a cocktail party at the Gucci Garden during Pitti Uomo 95. The book was produced by Gucci and shot by filmmaker and photographer Ari Marcopolous. Dapper Dan, friend and partner to the house, has collaborated with the house again, this time for a special limited-edition book dedicated to him. You may have to select a menu option or click a button.Alessandro Michele isn’t the only one in the spotlight at Gucci. Follow the instructions for disabling the ad blocker on the site you’re viewing.You may have more than one ad-blocker installed. You’ll usually find this icon in the upper right-hand corner of your screen. Click the icon of the ad-blocker extension installed on your browser.When it turns gray, click the refresh icon that has appeared next to it or click the button below to continue. ![]() Click on the large blue power icon at the top. ![]()
![]() Additional features include: zero flash increase, compact lightweight design, a rugged skeletonized crown, cleaning friendly design, heat-treated stainless steel construction, a tough Ionbond® CrCN finish for superior durability and, as always, 100% Made in the USA. An integral universal timing nut eliminates the need for shims and allows quick field installation & removal using an adjustable wrench or the lightweight spanner tools (included). 3 Port Brake featuring our Dual Taper Locking System(TM), compatible with our Radiant762, Surge 7.62, Razor 7.62 and Micro30.This muzzle device is designed. ![]() ![]() Fully tunable gas biasing allows the shooter to further reduce, or even eliminate, sight picture movement while firing. Ultradyne Apollo Max AR-10 Compensator 7.62 5/8x24 2A Armament T3. Constructed of solid steel, this muzzle brake has a melonite finish to products against damage from heat and corrosion. This results in exceptional safety, less gas blowback, better accuracy, and higher overall shooter comfort than any other device in its class. 5/8-24 Thread Pitch LANTAC Dragon AR-10 Muzzle Brake 7.62/. The AR-STONER Precision Muzzle Brake with 5/8' - 24 threads counters the recoil of your AR-10, LR-308, or other 7.62x51/.308 rifle builds. Adapter/Mounting Interface attaches to the industry standard. Our proprietary Hybrid Baffle Design combined with advanced Convergent-Divergent port geometry yields an unprecedented recoil reduction of over 84%*, nearly 10% higher than our M4-72, while maintaining modest 35-degree baffle angles and generous bore clearance. Muzzle Brake comes in two variations (1/2 x 28 & 5/8 x 24) and its compatible Q.D. Developed from the ground up and backed by knowledge gained from years of pushing the edge of muzzle device performance, the Hypertap muzzle brake delivers more than we’ve ever offered before. ![]() Ugh! So now I am in the process of more internet research on what to do. In some areas it could pass for the distressed look but in other areas it looks like I scraped paint off. It still looks pretty good but there are minor brush strokes and a fews areas where the paint lifted off. ![]() As I was applying the sealer, it looked like it was moistening the chalk paint and the color was lightly coming off onto the brush, but the paint was basically intact. After some internet research, someone suggested using a polycrylic sealer so I just did this on the vanity. Having had so much fun and a lot of paint left over, I spontaneously decided to repaint the bathroom vanity and mirror frame last night, which went on beautifully! This morning I tried to wax the frame and the paint came off. The next morning I reapplied the wax and my piece looked great -like a white washed weathered wood. Thinking it wasn't dry enough, I repainted and waited over night. Had trouble with the waxing tho as the paint came off. I was intrigued but wasn't compelled to do anything yet! But then later that day, while in Walmart I coincidentally saw the Waverly Inspirations chalk paint! Since I actually had a table top chest of drawers that need to be repaired (and since I have to do that, I could repaint), I decided to give it a try! Loved the paint! Loved how it didn't drip and didn't leave brush marks and basically only one coat was needed. I wandered into a shop in Danville, California where they sold Annie Sloan chalk paint. It sets a unique ID to embed videos to the website.I am so excited to stubble upon your review! Until last Thursday, I never heard of chalk paint. This cookie is used by vimeo to collect tracking information. This domain of this cookie is owned by Vimeo. The data collected including the number visitors, the source where they have come from, and the pages visted in an anonymous form. The cookie is used to store information of how visitors use a website and helps in creating an analytics report of how the website is doing. This cookie is installed by Google Analytics. The cookies store information anonymously and assign a randomly generated number to identify unique visitors. The cookie is used to calculate visitor, session, campaign data and keep track of site usage for the site's analytics report. These cookies help provide information on metrics the number of visitors, bounce rate, traffic source, etc. It does not store any personal data.Īnalytical cookies are used to understand how visitors interact with the website. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Advertisement". The cookie is used to store the user consent for the cookies in the category "Other. The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". These cookies ensure basic functionalities and security features of the website, anonymously. ![]() Necessary cookies are absolutely essential for the website to function properly. ![]() All of these factors form the foundation of the data set profile, which comprises these factors: Determining the data set’s level of granularity will help you to identify how many unique records there are, or whether there are duplicate records that you need to remove in the data preparation process. Equally important is understanding the number and variance of the categorical data fields of the data set. As discussed in earlier chapters, understanding the types of data you have in the data set is essential to your analysis. Now that we’ve identified how we need to shape the data, let’s look at the steps for actually making these changes.By profile, I mean the characteristics of the data set. Having one column labeled Sales and one labeled Profit would enable us to use these two columns as measures when analyzing the data in Desktop. That would allow us to more simply create totals or averages within either Prep Builder or Tableau Desktop. The measures that are named in the Measure column would be much easier to analyze if they were individual columns. Therefore, in this case, the dates currently listed as headers will need to be pivoted. One column containing all of the different dates would be more preferable and easier to use to analyze data over time in Tableau. The Measure header is in the correct location, but is it necessary? The measures are listed under each individual month. The Category header is at the top of the column containing all the relevant dimension values. We can see the Category column is in the correct state. ![]() Let’s apply these factors to our ice cream scents example in Figure 3-2. ![]() If your data set already contains longitude and latitude values, I recommend you use these, as they are likely to be more detailed than the longitude and latitude values Desktop associates with a geographical role. The data fields that you wish to assign geographic roles should be cleaned, but no further actions need to be taken. The spatial role is often a string data type so that the data field can then be assigned a geographic role in Desktop. In Prep, however, spatial objects (aka shapes) can’t be prescribed for use in Desktop, as the output doesn’t maintain this metadata. Tableau Desktop commonly associates the role you apply (e.g., City or Country) to a longitude and latitude value. 2 Geographic roles These are string fields you assign to location-based fields. The charts and graphs can be sorted, but the rows of data won’t be shown in the order they are imported into the tool, so you don’t need to worry about their order in the data source you are building. Order of the rows You will analyze the rows through the visualizations you build. ![]() Therefore, there is no need to order the columns. There are a few aspects that do not matter: Order of columns Tableau Desktop, Server, and Online will import a data set and order the fields shown in the Data grid in alphabetical order. Measures must be either an integer or float data type for analysis. Is there a single data type for each data field? A data field in Tableau (and most other tools) requires a single data type. Is the data field a dimension or measure? Desktop will divide all data fields into dimensions (category) and measures (the numerical values to analyze). Is there a single column for each data field? These columns will form the data fields that are then dragged and dropped in Desktop. 1 Here are the key aspects to consider when structuring data for Desktop: When you load data into Tableau Desktop, the software sets the first row of data as the headers for the columns and all subsequent rows as the data points for those headers. What Shape Is Best for Analysis in Tableau? Second column values: Headers for the measure columnĮverything else: Values for the measures columns The data set from Figure 4-1 has been colored in Figure 4-2 to highlight the structure:įirst two headers: Header for dimension columnįirst column values and monthly data headers: Categorical values Likewise, you need to assess the measures to ensure each has a separate column in the data set. If the dimensions are all in individual columns, you can move on to measures without having to think about any structural changes. Measures refers to the numeric values of the data set that are being analyzed (such as the number of students in a college class or the tuition they are paying). Dimensions is the term Tableau Desktop uses to refer to the columns of data that describe the records example, the regions a product is sold, in or the category that product belongs to). When assessing an incoming data set, it’s important to identify both the dimensions (or categorical values) of the data and the measures. After Miles shuts down the life-support pod, the Walrider, now without a host, attacks Miles and fuses itself with his body, taking him as its new host.Īs Miles limps towards the exit in pain, the door opens, revealing Dr. Wernicke instructs Miles to disable the power grid for Billy's life-support pod to undo what he has made and murder Hope. The voice reveals himself to be Rudolf Wernicke, a presumed deceased former Nazi scientist who explains how William Hope gained control over the Walrider and how he's also responsible for keeping Wernicke alive out of a possible delusional presumption on Hope’s part that Wernicke is his father. The Walrider relentlessly throws Walker against nearby walls, and eventually pulls him through a ventilation shaft, dismembering his body in the process.īefore he can recover from his ordeal, Miles is suddenly guided by an elderly voice into a nearby secured office. Unknowingly having put himself in the path of the incoming swarm, Walker mocks Upshur one last time, but before he can kill his intended target, Chris is grabbed by the Walrider from behind and spiraled away from Miles. Miles tries to escape through an open hangar, but the Walrider assembles in front of it, causing the security systems to shut down all exit routes, forcing Upshur to retreat the way he came.Īs the Walrider gives chase, Miles runs back to the exit, only to be greeted by Chris Walker at the lab's entrance, who tackles the journalist to the floor. ![]() When Miles reaches the underground facilities, he discovers the bodies of the men he saw being murdered on the security cameras. The Walrider managed to escape, slaughtering most of the facility's staff members, which directly led to a massive prison breakout. Billy was capable of controlling the Walrider thanks to his self-directed lucid dream states however, because they were only using damaged and unstable minds to experiment on, the situation got out of control. It is likely that the Variants are the results of this procedure. The aim was to create the perfect host for the Walrider, so that it could become a sentient being, as is evidenced by these notes: Gods and Monsters, Variant Postmortem. Project Walrider was the process of exposing patients to Morphogenic Engine Therapy to create a suitable host for the nanite swarm, for only a person that has seen enough horror can become the host. In the Courtyard, it is seen scouring the air, as well as one brief encounter behind the locked gate. Miles arrives at the scene minutes later, discovering their dismembered remains on the floor. Soon afterward, two men are heard running from the Walrider, before being caught by it and torn apart. Shortly afterward, while walking through a Sewer tunnel, Miles catches a glimpse of the entity as it disappears through a barricade. While Miles traversed through the prison showers, its silhouette can be seen at the bottom of the stairs before vanishing. Before Miles passes out, Father Martin shows him security footage from the Underground Lab, which depicts a team of Murkoff PMCs being ambushed and slaughtered by the invisible entity upon entering the lab. When Miles Upshur tries to unlock the Administration Block doors to escape, he is ambushed by Father Martin, who injects him with a sedative. It is extremely difficult, if not impossible, for the Walrider to lose track of the player in a chase scene, only stopping once the player passes through a decontamination gate, which the Walrider cannot pass through. The Walrider is relentless in its pursuit, while doors will slow its progress somewhat, it is capable of going underneath them. ![]() It can easily overpower any Variant, including the large, muscle-bound Chris Walker, as shown in the Underground Lab when Walker is brutally murdered. Despite having no actual bones, muscles or internal support structure to speak of, the Walrider's nanites are capable of immense physical strength, and it is the most physically powerful entity in the game. ![]() Miles can only see it clearly through the night vision mode on his camcorder. A document from 1938 concerning Rudolf Wernicke’s early work with the Morphogenic Engine details a brief manifestation of the swarm.Īs it is composed of nanites, it is nearly invisible to human eyes, only showing a faint black aura, unless it comes into very close proximity to the player. It is unclear if William "Billy" Hope simply learned to control the swarm, or if he is the first patient to fully manifest the Walrider. While appearing ghostly in nature, the Walrider is actually a swarm of nanites small, nanoscopic machines which collectively possess great strength and power. ![]() Therefore, we need to use this application to export email addresses from Gmail Inbox, Sent, Outbox, Draft, etc. However, without any third-party tool, exporting email addresses from Gmail account is not any easier task. In this article, we are going to resolve this type of query using the RecoveryTools Email Address Extractor Tool. Here’s we use RecoveryTools Email Backup Wizard to extract all Gmail email address to Computer. Does anyone know how to extract email addresses from mailbox of Gmail account ? Please help me to solve this query.” Simple Solution – Gmail Email Address Extractor For some email marketing requirements, I want to export all email addresses from Gmail to local computer. I have many emails in my Gmail account because I have been using this account for the last 5 years. Recently, a Gmail user from New York sent its query to our technical team. Like many business owners, you may have doubts about taking email marketing seriously. However, there are several users who are finding it difficult to export Gmail email addresses. ![]() If yes, then here you have got the complete way to extract all email addresses from Gmail to Computer. Have you been asked to collect the email address list by your marketing manager ? Or you want to export email addresses from Gmail for good reason. In this article, we will explain the complete process to export email addresses from Gmail to local computer. Modified: 16-03-2023 ~ How To ~ 6 Minutes ReadingĪre you one of them who are looking for a solution to extract email addresses from Gmail account ? Want to save all Gmail email addresses to local computer ? If yes, then you are in the right place. And if you feel inclined, I’d love to see photos of your devices and setups with these wallpapers. I think you're going to love these designs. The macOS Bliss Wallpapers are designed for all your iDevices - iPhone, iPad, & Mac, although the dynamic wallpapers are only currently supported on the Mac at this time. Two versions were created: a standard light/dark mode wallpaper that changes from Day to Night depending on the display mode of your Mac and a dynamic wallpaper that rotates through all four versions depending on the time of day. heic file that changes based on the time of day. The final step was to place all these wallpapers into Dynaper to generate a. I cut my ambitions in half and designed two more versions (for a total of four) of the macOS Bliss wallpaper, adding a sunrise and a sunset variation to complete the set. I have always wanted to create a dynamic wallpaper to this effect, but the challenge in such an endeavour was creating multiple versions of a design that all looked stunning. My work was done, and once again, I paused to savour the feeling of having completed another project.īut then another thought interrupted this second moment, this time wondering, "what would it take to create multiple versions change throughout the course of day?" For years, Apple has been doing this: macOS Mojave had 16 shots of their dynamic wallpaper, while macOS Catalina & Big Sur each had 8. And a while later, I sat back in my chair, sized up what I had created, and felt content with having created a night version of the Bliss wallpaper that would perfectly complement the original. With the Bliss wallpaper completed, I sat back to savour the feeling of having completed another project only to be interrupted by the thought: "people are going to want a dark mode." So back to the drawing board I went. Sharp, flowing lines dissolve into subtle gradients that unite the legacy & colour palette of the original Bliss wallpaper with the gradients and minimalist aesthetic used to showcase macOS Big Sur & Monterey. The final result is an interpretation of Bliss for the Mac that I am very proud of. ![]() At times the work was a careful choreography, slowly manipulating the mesh to find a precise blend, whereas, at other times, it was me wildly swinging around the anchor points in a desperate attempt to find something. To accomplish this, I booted up Sketch and got to work inside of the Mesh Gradient plugin, selecting colours and contours respectful to the original Bliss photograph. What I wanted to do in this project was create a wallpaper for the Mac inspired by O'Rear's Bliss photograph in the minimalist styles of the macOS Big Sur/Monterey wallpapers. Microsoft's command of the marketplace in the early 2000s and the success of Windows XP helped propel Bliss to becoming the most viewed photograph on earth. Total, que si quieres descargar los wallpaper de macOS Big Sur, pero también de macOS Monterey, además en resolución brutal de 6K, puedes hacerlo con los siguientes enlaces (ojo: descarga. The wallpaper features a gently rolling sunlit hill on a background of soft & small puffy clouds against a vivid blue sky. Shot by Charles O'Rear in 1996 in Sonoma Country, California, Microsoft later purchased the rights to the image in 2000, which used the image as Windows XP's default wallpaper when the operating system launched in 2001. ![]() More details, as well as the default iOS 14 wallpapers are available here.Bliss is probably the world's most recognized photograph, seen by billions of people across hundreds of millions of devices. Open the Photos app and set the downloaded image to be used as a wallpaper. ![]() Long-press the image and select ‘Add to Photos’. Personalize your computer and smartphone with high-resolution macOS Big Sur Wallpapers. In Google Drive tap the download icon, a downward pointing arrow available at the top of the screen. Do you want macOS Big Sur Wallpapers Now it is easy Here you can download the best high-quality pictures and photos for Desktop, PC, iPhone and mobile phones for free. Be patient because you will be downloading high resolution images. Various types of animated wallpapers are supported, including 3D and 2D animations. Open the desired wallpaper on your iPhone. Wallpaper Engine enables you to use live wallpapers on your Windows desktop. On iPhoneĪll the above backgrounds display perfectly on iPhones and iPads too. Right-click and select ‘Set as desktop background’. Open the Desktop view and double-click the image to view it. ![]() The background image will be saved on the Desktop or in your predefined target location. Right-click the wallpaper and choose the ‘Save image as’ option. Pick the desired wallpaper resolution and left-click on the respective thumbnail to open the image in a new tab. Click with two fingers on the thumbnail of the newly downloaded background. Download the macOS Big Sur wallpaper on your desktop. Click with two fingers and select ‘Save Image As…’. Select the desired wallpaper and click on its thumbnail, to open the image in a new tab. How To Download & Install macOS Big Sur Wallpaper On Macġ. ![]() This might happen if you are using proxies or some kind of VPNs to connect to the internet. The third possibility is that your IP address is banned by the Github servers due to excessive attempts or other similar reasons. Second, Check if there is a firewall device on your local network that might prevent you from connecting to this address. So, there are several places to check for the problem:įirst, You should ensure that there are no firewall rules on your machine that prevents the connection to this IP address and port number. This forces Nmap to retry several times just in case the probe was dropped due to network congestion rather than filtering. Sometimes they respond with ICMP error messages such as type 3 code 13 (destination unreachable: communication administratively prohibited), but filters that simply drop probes without responding are far more common. These ports frustrate attackers because they provide so little information. The filtering could be from a dedicated firewall device, router rules, or host-based firewall software. Nmap cannot determine whether the port is open because packet filtering prevents its probes from reaching the port. According to nmap's Port Scanning Basics: To me, The 140.82.112.4 seems OK and is one of GitHub's IP addresses so the name resolution is correct.īut the state of filtered for port 22 on Github is the problem. first you must ensure that the name resolution is done correctly. ![]() There s several steps to troubleshoot the problem. Nmap done: 1 IP address (1 host up) scanned in 0.26 secondsĬPU: Intel Core i9-10850K 20x 5.2GHz Ssh: connect to host port 22: Connection timed out ![]() I get the same ssh -Tvvv output regardless of the IP address (excluding localhost).ĭebug1: Reading configuration data /home/dan/.ssh/configĭebug1: Reading configuration data /etc/ssh/ssh_configĭebug3: expanded UserKnownHostsFile '~/.ssh/known_hosts' -> '/home/dan/.ssh/known_hosts'ĭebug3: expanded UserKnownHostsFile '~/.ssh/known_hosts2' -> '/home/dan/.ssh/known_hosts2'ĭebug3: resolve_host: lookup :22ĭebug1: Connecting to port 22.ĭebug3: set_sock_tos: set socket 3 IP_TOS 0x48ĭebug1: connect to address 140.82.112.4 port 22: Connection timed out The root of the problem is that I can't access ANY ssh service over ANY port ANYwhere. I didn't want to get ddosed so github was my only choice. How do I stop my connection from timing out and successfully connect to github?Įdit for clarity: I used github as my ssh target because I didn't know about any other public service accessable by ssh. I can connect to other machines on my local network and I can use a different computer to connect to github using the same ethernet connection my desktop is failing at. ![]() Kunst.ee (Estonia): Feature on Gooseflesh Festival, Rakvere, Estonia (3/2001) ARCHIVE AND DOCUMENTATION The Sunday Times (UK): Feature by Allan Brown on ‘Harry and Me’ () The Scotsman (UK): Review by Jay Richardson of ‘Harry and Me’ () The Independent (UK): Review by Kate Bassett of ‘Harry and Me’ () ![]() The Guardian (UK): Review by Lyn Gardner of ‘Harry and Me’ () Metro (UK): Review by Tamsin Curry of ‘Harry and Me’ () ![]() Metro (UK) Interview, on ‘Colin Powell’ () The Irish Times (UK) Review by Peter Crawley () The Irish News (UK) Feature by Brian Campbell, ‘No More Mr. Zitty Magazine (Germany) Interview by Tom Mustroph on ‘Dispatches’ () Time Out (London, UK): Artful Lodgers, feature on Artsadmin Artists ()ĭayton City Paper (USA): Interview on ‘Colin Powell’ () Turun Sanomat (Turku, Finland): Preview/Review of ‘White Balance’ (06/11 & 16, 2013)Īrt Monthly (UK): Review by Morgan Quaintance ‘The Argument Against the Body’ (09/2011) REVIEWS AND INTERVIEWS WITH ROBIN DEACON (PRINT)Į + D Magazine (USA) Interview by Sammi Skolmoski on ‘White Balance’ () Open Dialogues: An Interview with Rachel Lois Clapham (02/2009)Ĭulture Wars: Feature on ‘Documenting Live’ by Rachel Lois Clapham (10/2008)Īrtists Newsletter: ‘Playing with Reenactment’, a review by Niki Russell (06/2008) SPILL: Interview with Lewis Church on ‘White Balance’ (11/2015)Īrtwrit: Interview with Anthony Romero (05/2012)į News Magazine: Review of ‘Too Beautiful to be Wasted’ (03/2012)īrooklyn Rail: Interview with Liz Axelrod (on Stuart Sherman) (02/2012)īellyflop: Review of ‘Stuart Sherman’s Hamlet by Robin Deacon’ ()Ĭulture Wars: Review by Matt Trueman of ‘Prototypes’ () REVIEWS AND INTERVIEWS WITH ROBIN DEACON (ONLINE)Įxeunt: Review of ‘Europe: Endless’ by Diana Damian Martin ()Įxeunt: Review of ‘White Balance’ by Nisha Ramaya () Malik-Okon, Rohini, Performing Difference Artsadmin (2004) Sofaer, Joshua, The Performance Pack Tate/Arts Council England (2004) Future Forecast: Social Space AN: Artists Newsletter (2005) Do Not Interrupt Your Activities Royal College of Art (2005) We Love You: On Audiences Revolver (2005) , Cardiff Art in Time Samizdat Press (2007) Wee, Cecilia 'On Documentation: An Interview with Robin Deacon' (2005)īannerman, Adelaide 'On Colin Powell and Dispatches: An Interview with Robin Deacon' (2005)įrank, Thomas / Waugh, Mark. Rebellato, Dan Contemporary Theatre Review: Vol 15, No 1 Routledge (2007) Roms, Heike, What’s Welsh for Performance? An Oral History of Performance Art in Wales, 1968 –2008 Samizdat Press (2008) Turner, Cathy & Behrndt, Dramaturgy and Performance Palgrave Macmillan (2007) Pacitti, Robert & Ghelani, Sheila, SPILL Festival of Performance: On Agency (2010) Glendinning, Hugo Artsadmin 30: A Snapshot of Artsadmin at 30 Artsadmin (2011) (2015)Ĭlark, Paul, ‘Performing the Archive: The Future of the Past’ in Performing Archives, Gunhild Borggreen & Rune Gade Museum Tusculanum Press (2013) Goldberg, RoseLee Performa 2013 Gregory R. Lim, Dennis, David Lynch: The Man from Another Place Amazon Publishing (2015) Margolies, Eleanor, Props Palgrave Macmillan: Readings in Theatre Practice Series (2016) Johnson, Dominic, Critical Live Art: Contemporary Performance Histories in the UK Routledge (2016) Whalley, Joanna & Miller, Lee, Between Us: Audiences, Affect and the Inbetween Palgrave Macmillan (2017) WRITINGS ON ROBIN DEACON (PRINT) The following are a series of references to the work of Robin Deacon in articles and publications written by academics, critics and artists: 'Robin Deacon: Filenote #15', Camden Arts Centre, (2006) 'Are They Really Norwegian?' in Performance Art By Baktruppen: First Part, Arntzen K, Eeg-Tverbakk, C Kontur (2009) Hawkins, Y and Matturri, J New York University Press (2011) 'Failing to Disappear' in Beginningless Thought/Endless Seeing: The Works of Stuart Sherman, Hagan, J. ‘White Balance: A History of Video’ in Australasian Drama Studies Journal 64: Digital Performance Futures, Acaroglu, G. ‘Central’ in A Festival of Imaginary Events for Rooftops in Tehran and London Field, A. ‘Rethinking Privacy: Contemporary Practices of Student Documentation and Distribution’ in Performance Research Journal Vol. Routledge (2017)īook Review on Jon Foley Sherman's ‘A Strange Proxmity: Stage Presence, Failure and the Ethics of Attention’ in Studies in Theatre and Performance Journal Routledge (2017) ‘Stuart Sherman’s Hamlet: A Careful Misreading’ in Artists in the Archive, Jones, S, Linsley, J and Clark, P. ‘Europe, Endless’ in To You, To You, To You, Alexander, L. ‘Documentation (Of A Near Death Experience)’ in Performance, Objects and Participation in the Art of Joshua Sofaer, Mock, R. The following are a series of chapters, articles and/or publications by Robin Deacon: |